Grads Trips and Father’s Day – Here are some savings I found

When B&H has a sale, that’s the time to act!


Get Spare Cards and Readers

Steady up your Shots Get a Tripod Protect your Gear Get Bags and Cases

Dont forget that Lens Select a Spare Camera Check out all of the Photo Gear youll need.


Sigma 50mm f/1.4 ART Lens – A Big Winner!

Sigma 50mm f/1.4 ART Lens

I am very impressed with the Sigma 50mm ART f/1.4 lens. It is a good balance between a very low priced 50mm lens and a very high priced pro level lens. In fact, for the price, this would be one of the best choices for pro level work at almost half the price. I give it a big thumbs up and I am putting it on my recommended list.

Sigma 50mm ART lens - f/1.4

Sigma 50mm ART lens – f/1.4




B&H Photo Best Deals!

B&H Photo has a new section where I can easily see their best deals going on at the moment. I use it myself, so I am sharing it here:

New f/1.4 Wide Angle Lens for m4/3 cameras will be a real winner!

This is fast going to become a staple lens for pro level photographers and enthusiastic photography communities!

See it – buy it – read opinions – from lots of other people on B&H Photo on this awesome new lens. It is coming soon.


This is going to be great for m4/3 owners to get a lens that will behave a lot like a 24mm f/1.4 lens at a very high quality level. Can’t wait to get my hands on one! Those of us that use a few primes, the 24mm is a basic staple to have in your bag. I have 2 of them, one for Nikon and one for Canon. now that I am growing my m4/3 camera line, that lens has been missing from my bag.

The weakness of m4/3 is the low light ability. With f/1.4 and even wider lenses, it easily makes up for the low light problem. This looks like it isn’t going to be a consumer lens, but a pro level lens. Yipeee!

Panasonic GH4 Excellent Photographers Camera Made Even Better!!!

The Panasonic GH4 has become one of my main shooting cameras. It has gotten even better, going into the superb, when adding the new Metabones 0.64 (Canon to m4/3rds) adapter.

The Metabones adapter takes most Canon lenses (see Metabones site for omitted lenses) and multiplies it by 0.64 on the focal length and the f stop. For example, a 100mm f/2.8 lens would become a 64mm f/1.8 lens. Of course, when putting any lens on a m4/3 body you still double the focal and f/stop specs. The advantage becomes a 100mm lens, rather than operating as a 200mm lens, operates as a 128mm lens.

This is all pertaining to a m4/3 camera and a full frame camera. If you add the crop sensor cameras (like the Canon 89D, Nikon D7200) into the mix, it becomes even more interesting. The 100mm lens put onto the Nikon or Canon crop sensor camera will operate at about 150mm. The 2.8 f stop will operate at about an f/4.5 f stop compared to the m4/3 results of an f/3.5 with the use of the Metabones on the m4/3 camera. The advantage shifts from using a cropped sensor Canon/Nikon/Sony crop sensor camera to a m4/3 crop sensor camera.

See the wonderful MetaBones 0.64 Adapter for the Panasonic Lumix GH4 camera and gets more opinions on it at B&H Photo Here.

See the Canon 24-70 f/2.8 II Lens and get lots of other opinions at B&H Photo HERE.

Images taken with GH4 camera body using MetaBones 0.64 adapter. Click to make image full size – use BACK to come back:





Lily – Headshots

Lily is really a beautiful girl. We did some really nice head shots of her for her acting career and for her business cards. Olympus EM1, 42.5 f/1.2 lens.



Jingles had to get into the act 🙂





SensorSweep camera sensor cleaner has been updated – 2015 version is now shipping

Peter_071-3 200x226

Just a note to tell everyone the wonderful sensor cleaning tool, the SensorSweep – has been updated to a 2015 model.

The newest version of the SensorSweep now has a black cleaning tip and the body is an anti-static paper based tube.

It works even better and is designed for the newest mirrorless cameras and cameras with no AA filter. The newest
SensorSweep is also aimed at grabbing the oil “sputtering” that happens with certain cameras onto the sensor.

The SensorSweep is still the safest, easiest, and quickest way to clean your sensor imho. One of the top people, (highly scientific mind) in the industry that deals with sensors day in and day out was speaking to me on the phone and he said the SensorSweep was the second best tool he had ever seen to clean the sensors. The best tool is quite dangerous for the general public to use, and he even stated he would not like to use it himself. That leaves us in first place folks!!!

I will be making a new video on Youtube on the 2015 version of the SensorSweep. All SensorSweep orders going out from here ARE the 2015 model. You can buy them on my main web site at under Sensor Cleaners –


Custom White Balance isn’t hard to do at all – here, you can watch as I do it –

Most of the time I use Auto White Balance. If I have the time I will use Custom White Balance, but because i shoot RAW for my still photography it isn’t all that important.


Video is different though. Almost all video is shot as a long string of JPG files and getting it “right” in the camera suddenly becomes mush much more important! It will make a huge difference between just “okay” video and really outstanding video.


Here is a little video where I talk and show how easy it really is to do a Custom White Balance:



You can find links to stuff I mention in my videos all listed here for you:

Peter Gregg’s YouTube Channel where his other YouTube videos are:

An Awesome m4/3rd’s lens – Voigtlander 17.5mm f/0.95 lens

Wow, what an amazing lens! it has everything except it is a only manual focus lens. I sure wish this was an autofocus lens for sure.
But for video guys that pull focus ourselves, or who always shoot manual focus, this lens sure is a good catch.

I had an awesome time reviewing an amazing lens – the Voigtlander 17.5mm F0.95 lens on a Panasonic GH3 camera.


This is the YouTube video with my review – please leave a comment and give it a thumbs-up!


It is a lot of fun to read other people’s reviews on this at B&H Photo and You can learn a lot from differing points of view!

Find things quickly on B&H Photo:

Fiddling with the brand spanking new ColorRight Max!

Playing around with the new ColorRight Max high end professional level color balancing tool. My nephew came by for an hour or so and I put him to work posing for me 🙂 We has a fun time though and it was all good.


The ColorRight Max has 4 levels of white balance abilities. After experiencing what this can do, I would never want to be without it. His face is very white like he shuns the Miami sunlight as if it were a poison – lol. This is a picture using the Neutral mode (no white balance disk in the slot) of the ColorRight Max. It delivered better accurate colors than any white balance tool I have ever used. It looks like a steel cold totally neutral color response from the camera:


An again in this next shot by the swimming pool, the camera was white balanced with the ColorRight Max in neutral mode. The skin color and shirt colors are so accurate, it looks like the image can go straight to printing:


Since his skin color is so darn pale (they call it the new tan – lol), I knew I needed a warm or “portrait” version of a white balancing tool. Almost all white balancing tools give you a choice of purchasing a neutral version or a warmer “portrait version of the tool, but the ColorRight Max is different and does not pin you into buying both a neutral and a portrait version of their white balance tool.


The ColorRight Max comes with a set of white balance disks you can insert into a built in slot on the tool. If you put in no white balance disk, you get a very accurate neutral color balance. Then you can choose between 2 different “warming” or portrait disks for your warmer toned images. It’s a breath of fresh air not to spent big bucks on a white balance tool and not be locked into just one level of warmer portrait type of tones. The ColorRight Max comes with 2 portrait white balance disks. One a little weaker than standard portrait warmth, and another white balance disk a little stronger than standard portrait warmth. Wow – a choice – how original!

These next shots were taken using portrait disk number 2. It give just a little extra touch of warmth to make the skin look very pleasant:



And just to show you what portrait level 1 white balance disk would have produced, here is a shot with Portrait 1 inserted into the slot and the camera white balance using that disk. The skin looks a little cooler compared to the Portrait 2 disk used in the previous shots. All this with just one white balance tool – pretty amazing huh:




Normally we would be done now if I only had my normal white balance tools on hand. I would have shot with the warmer portrait version and called it a day. But the ColorRight Max has even more tricks up it’s sleave. the ColorRight Max also has a creative warming disk that turns regular sunlight into that 5 o:clock golden hour sunlight even in the middle of a bright day!

Of course i could not wait to try that white balance disk in the ColorRight Max. So I slid the Portrait Disk 3 into the slot and color balance my camera with it and took some shots to see what this white balance disk was all about. WOW – what an awesome tool to have at my disposal. Just look at these shots, they look like the sun was setting and the sky had it’s lusturous golden glow bathing us in that rich sunset lighting. but it was really 2 in the afternoon!


I was liking this so much, I had to sneak in a few extra shots!


The bottom line is for me, there is no other white balance tool that can do all that the ColorRight Max can do. Rather than having to buy multiple tools to get good color balance, there is now just one tool that will do Neutral Color Accurate white balance, Portrait Level 1 white balance, Portrait Level 2 white balance and also has a super warm level 3 creative white balance ability too. All 4 white balance looks in just 1 tool. This new ColorRight Max is a real keeper!

You can purchase the ColorRight MAX here – $169.99  $119.99 Special Offer

Here is a video on the ColorRight Max: YOUTUBE VIDEO: